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17 Shocking Facts About What Two Colors Make Gray Other Than Black And White | what two colors make gray other than black and white
- Use link colors consistently throughout a Web application, Web site, subsite, or group of related Web pages. To avoid confusing users about whether they have previously viewed specific pages on a content Web site, indicate visited links. The default link-state colors are as follows: - Source: Internet
- The same links or buttons should appear on the navigation bar or menus on either all pages on a Web site or all pages in a major subsection of a large site—and should be in a consistent location. However, it should not be possible for a user to click a link or button that would reload the current Web page or scroll to the beginning of a section that a user is already viewing. You can indicate that such an item on a navigation bar or menu is unavailable by removing any underlining from its label or by changing its color to a pale, low-chroma hue; a light shade of gray, as shown in Figure 9; or a different color that contrasts strongly with the color of an available link or button. - Source: Internet
- Burgundy is a deep reddish-brown shade called wine red. Colors that go well with burgundy red include white, black, gray, purple, navy, turquoise, forest green, pink, gold, beige, and yellow. Brick red: A moderate reddish-brown with some shades of yellow, sometimes called clay or terracotta red. Colors that work with brick red include cream, sage green, black, white, brown or beige, blue-gray, and other shades of red. - Source: Internet
- Avoid using gray for text or symbols consisting of fine lines on a color background, because a successive-contrast effect causes them to take on the hue of their background color’s complement. All Web-safe grays are too dark to serve as effective background colors for black body text. However, the non-Web-safe light gray (#EFEFEF) makes a good background color for black text. White text contrasts adequately with a charcoal gray (#333333) background. - Source: Internet
- A moderate reddish-brown with some shades of yellow, sometimes called clay or terracotta red. Colors that work with brick red include cream, sage green, black, white, brown or beige, blue-gray, and other shades of red. Raspberry red: This pinkish-red tone resembles the berry color; raspberry red goes well with black, navy, shades of blue, gray, white, cream, metallics, and wood tones. - Source: Internet
- You can use people’s color associations to communicate state information effectively. Your use of color should be consistent with both job-related and cultural color associations. Using common color associations helps users to interpret color-coding correctly. For example, most Americans associate the states shown in Table 1 with certain colors. - Source: Internet
- Primary red: True primary red is magenta. Primary colors cannot be made from other colors. Primary colors are the source of all other colors. Primary red goes with yellow, orange, blue, white, and black. - Source: Internet
- In applications, controls that are not currently available appear dimmed—that is, are rendered in shades of gray, tints, or neutralized colors. Also, all windows except the active window appear dimmed. The following examples show the dimmed appearance of various types of controls and an inactive window: - Source: Internet
- It is easier for users to interpret color-coded data than data that uses other coding techniques such as shape or size. When expressing data using color-coding, try to limit the number of different colors to a maximum of seven. Many users cannot reliably distinguish more than four or five different colors—especially when the colors are not in close proximity to one another—or remember what they mean. Therefore, keep color sets as small as the data permits—preferably comprising four or fewer colors. - Source: Internet
- Color is useful in representing hierarchy in either a navigation bar or in content—through section headings. In the navigation bar shown in Figure 6, the use of light cobalt blue (#0066CC) tree-view controls lets users display groups of links, and light chartreuse (#99FF00) group labels provide a hierarchical structure. The links are in white (#FFFFFF). This navigation bar is for a Web application, which provides no browseable content. Therefore, it was not necessary to use the standard colors for different link states. - Source: Internet
- Describes the deep red color of cherries; it can also be called blood red or tomato red. Cherry red combines well with azure blue, gray, pale orange, tan, and pale yellow. Burgundy red: Burgundy is a deep reddish-brown shade called wine red. Colors that go well with burgundy red include white, black, gray, purple, navy, turquoise, forest green, pink, gold, beige, and yellow. - Source: Internet
- Red is a bold, stimulating, life-affirming color that can energize any decor scheme, from the most traditional to the contemporary and cutting edge. Whether you want to add spice to your kitchen, warmth to your living room, or romance to your bedroom, red is strong enough to work on its own but plays well with various shades. Here are the colors that go with red to create a vivid and memorable color scheme in any room in the house. - Source: Internet
- You can use color to visually distinguish and help users identify the icons on a toolbar. Color is a more effective means of distinguishing icons than either shape or size, and can reduce the mental exertion that icon identification requires. For example, the colors of icons on this Web-application toolbar help users to distinguish them from one another. - Source: Internet
- Before designing an application or Web site, establish design guidelines, including conventions for the use of color. These conventions should dictate all purposes for which you use color, what colors apply to specific types of elements, and the meanings associated with specific colors. Use these color conventions consistently throughout an application or Web site. Once users interpret the meanings of colors, they will apply those meanings wherever they encounter the colors. If your use of color is inconsistent, users will be unable to build a mental model of color usage or to reliably interpret the meanings of specific colors. - Source: Internet
- For example, the main frame of a Web application page shown in Figure 3 demonstrates the use of a pale Wedgewood blue (#99CCFF) background to set off a page title bar. A very light, non-Web-safe shade of gray (#EFEFEF) distinguishes control bars at both the top and bottom of the page. Providing structure to the table, pale Wedgewood blue sets off the table header, silver (#CCCCCC) highlights the column by which the table is currently sorted—the Time column—white dividing lines demarcate hours, and rows of alternating shades of lighter grays (#EFEFEF and #E7E3E7) make it easier to track the rows in the table visually. The dominant color, pale Wedgewood blue, highlights both the page title and the headers in the table. The color with the highest chroma level is the green of the status indicators for in-progress meetings, calling the attention of users to this important information. - Source: Internet
- To ensure that users can distinguish colors and remember color-coding, all colors should be sufficiently different from one another and range across the visible spectrum. Highly saturated colors are the easiest to distinguish. The most common color confusions are orange (#FF9900) with red (#FF0000) and yellow (#FFFF00) with orange. Colors that are close together on the visible spectrum become more difficult to distinguish as the distance between color-coded elements increases or the size of such elements decreases. Small elements tend to appear desaturated and surrounding colors may cause an apparent shift in their hue. - Source: Internet
- To provide the best legibility, ensure that text contrasts adequately with its background in both hue and value. When there is insufficient contrast between the hue or value of text and its background color, the text appears blurred or has a halo effect around it, making it difficult to read and resulting in eye strain. Text that is in a color that contrasts well with an achromatic background of black, gray, or white or black or white text on a high-contrast, color background generally provides better legibility than when both text and background are in different chromatic colors—unless the two colors contrast greatly in both hue and value. - Source: Internet
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## Here are some crucial points concerning Black And White Mixed Together:- What Two Colors Make Gray Other Than Black And White
- What Colors Make Grey Without Black
- Mixing Grey
- Shades Of Grey Color
- Mixing Warm Grey
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