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16 Interesting Facts Best Paper For Art Prints Inkjet | How To Print Digital Art

  • Resin-coated (RC) paper – This is a fibre-based paper popularly used in consumer wet prints from the darkroom but has since been widely used in digital inkjet printing. The paper consists of a base substrate made from plastic and is encapsulated by two thin polyethylene layers. A swellable or microporous coating is then applied on top to make it suitable for printing. There are RC papers available for both pigment and dye-based inks. Although the paper is highly durable, many photographers feel that it feels too much like plastic, and lacks the tactility and texture of traditional paper material. - Source: Internet
  • Looking out for chlorine-free paper requires a basic understanding of the terminology that paper manufacturers use. For example, ‘Chlorine-free’, meaning no chlorine was used, is not the same as ‘Elemental Chlorine-Free’ (ECF). ECF-treated paper is produced using chlorine derivatives. Look for paper using pulp that bear the Totally Chlorine-Free (TCF) description. - Source: Internet
  • Swellable papers – The coating is made of polymer material that swells in contact with ink droplets from an inkjet printer. The coating absorbs the ink and allows the colorants to penetrate the top layer of the paper. These papers are best for dye-based inks and you can expect a very fine and crisp print that resists fading. - Source: Internet
  • Evgenia grew up in Tiksi, a secluded port city on the shore of the Laptev Sea in the Arctic. Although now based in London, her work often focuses on the remote landscapes and people of her birthplace. To enhance the magical realism of her images, she chose Hahnemühle fine art papers, which are recommended for Canon printers, for her first major UK exhibition, Hyperborea – Stories from the Russian Arctic, at the Photographers’ Gallery in London. - Source: Internet
  • Typically, the smoother the paper, the sharper a photo appears. To bring out the most radiant colour in your image, glossy paper and semi-gloss paper are the best candidates for printing. Photographers looking to make fine art black-and-white prints may consider using matte (sometimes also known as velvet) papers as they create a smoother look that flatters skin tone. Do note that glossy papers are not optimal for pigmented ink as pigments mainly reside on the surface and may interfere with the gloss of the surface. - Source: Internet
  • As a rule of thumb, the whiter the paper, the higher the contrast of colours in the printout and the resulting print benefits from a richer colour gamut. Hence, photographers looking to creating colourful, vibrant pictures often turn to bright white paper. The brightness of a piece of paper is typically rated on a scale of 1 to 100, with 100 being the brightest. For example, multipurpose bond paper used in copiers and office printers have a paper brightness rating in the 80 range. Inkjet photo papers, on the other hand, are rated in the mid- to high- 90 range and are able to reflect more light, making it appear brighter. - Source: Internet
  • For making prints with many fine details e.g. fashion, a glossy, bright-white paper may give the best result. A print of a landscape with picturesque scenery may look better on a watercolour paper. Likewise, a black-and-white print of a portrait is visually more pleasing when printed on paper with a slightly off-white tint. - Source: Internet
  • Another consideration is that the paper must be acid-free, with a pH value of 7.0 or greater. Any presence of acid in paper will be transferred to the inks on the print, causing it to fade and discolour. Paper manufacturers usually state the paper’s pH value on the packaging. - Source: Internet
  • To create the brightness, paper manufacturers either bleach the paper with chlorine or apply Optical Brightening Agents (OBA). Paper produced this way may not retain its brightness and over time, colour shifts occur. If longevity of print is important to you, choose paper produced without chlorine bleaching or OBA. To determine if a paper has optical brightener, shine a UV light onto the paper in a dark room. If it lights up brightly, optical brightener has been added during production. - Source: Internet
  • A good paper for inkjet printing must comprise of at least 2 layers – the paper base and the coating applied on this base. The very best paper base are made from cotton (rag) fibre and wood cellulose, or a combination of the two. Rag paper containing up to 100% cotton or linen fibre are also the most expensive, as they are known to last hundreds of years without appreciable fading, discoloration, or weakening of fibre. - Source: Internet
    • The paper should suit the subject matter e.g. choosing a canvas media for brightly-coloured, fashion-related imagery is considered a mismatch. - Source: Internet
  • Andrea Sippel of Hahnemühle agrees that a fine art paper helps photographers to get the very best out of their images. “That’s down to print quality, surface texture, a tactile feel and finish, as well as longevity,” she explains. “Fine art paper has a three-dimensional quality that can raise an artwork to a higher level.” - Source: Internet
  • Besides colour rendering (parts 3 and 4) and equipment calibration (parts 5 and 6), the choice of paper in fine art printing is important at both the artistic and technical levels. A good paper choice is one that complements the image, helps take it to the next level in artistic expression and improves its value to the collector. Technically, the paper is a vital component of the printing process and determines if the print is durable enough to last for the years to come. Whether it is a portrait of an elderly gentlemen or the rolling landscape of an English countryside, your choice of paper has a crucial role to play in fine art printing. - Source: Internet
  • “When you reach a certain point in your career, it becomes vital that your prints look their absolute best, and fine art papers enable you to achieve this,” she says. “In my student days, I always used to print on regular photo papers. Nowadays, I wouldn’t dream of using standard photo paper. It has to be fine art papers every time. - Source: Internet
  • In the pursuit of artistic expression, some photographers look beyond the usual source of materials to achieve a unique look for their photographs. Photographers have been known to use paper media made from flax or cotton cloth normally used for oil painting or acrylic painting. Or paper made from environmentally-friendly bamboo and non-wood materials such as bagasse (sugar cane fiber waste) are drawing attention for their artistic possibilities. More and more are also using Washi or traditional Japanese paper made from the barks of Japanese trees. These contain longer fibers than western paper, giving prints a unique texture and feel. - Source: Internet
  • Microporous coating – The coating consists of a fine layer of ceramic material ground to fine powder. Paper with this coating dries quickly. However, because of its porous nature, this paper is not recommended for use with dye-based inks as the ink will be constantly exposed to air and may lead to discolouration over time. The best match for this paper is pigment-based ink. - Source: Internet
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